This is Epth Nation 2.7

The New Breed of Blog

Randumb

Randumb (fake noun): A collection of disjointed links, thoughts, observations, until I get tired of typing this…

I’ve been listening to the new Waterdeep record, “In the Middle of It.”  I don’t know if it’s really an exciting new leap for them or a disappointing new leap for them, both, or neither.  Here’s the deal: Waterdeep is partially responsible for the greatest worship CD of all time (Enter the Worship Circle) and wholly responsible for the greatest Christian song of all time (18 Bullet Holes), so my expectations for them are extremely high.  I’m really not a person who gets all bent out of shape when Christian artists of any sort make things that are not specifically for the Christian subculture — in fact, I generally hate stuff that’s marketed at Christians, and the concept of Christian marketing in general — but it’s a little weird to hear Waterdeep play a hyper-produced record filled solely with songs about people who are dealing with life.  It’s a little weirder to hear them play songs that aren’t necessarily redemptive in nature.  It’s like a switch was flipped and they got all cynical and angry.  That’s not a bad thing, but like I said, it’s just weird.

I figure it’s a by-product of their move to Nashville to become record producers.  The music on In the Middle of It sounds like a production demo reel, which actually makes it a lot more fun to listen to than it would be if they had gone for the same sound as their past records.  Lori’s voice, which has always seemed like an acquired taste, is awesome here, mostly due to production.  They cover so many music genres that it’s obviously meant to say, “See?  We can produce any kind of record you want to make!”  Well, mission accomplished.  The music is fantastic across the board.

The lyrics, like I said, are another matter.  Gone is the redemption and the God who cares and searches; In their place are songs about people who are making bad choices and aren’t able to deal with their emotions.  There are some good lines, but the aversion to redemption makes most of the album kind of disposable.  I just expect to have my block knocked off by Waterdeep, and In the Middle of It didn’t even attempt to slap me in the face.  It’s like they wanted to dig deeper into people’s hearts, and ended up stopping right before the good part.  Not that it’s a bad album.   It’s just weird.  Here’s a lala sample:

Happen Every Time – Waterdeep

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I’ve got another column up on thechristianmanifesto.com.  It’s about American Idol.  Please view it here:

http://www.thechristianmanifesto.com/index.php/2010/02/05/culture-blog-4-gokey/

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If these moderately attractive people are so discouraged with the current economy that they’re giving up the job hunt, what hope do I, an ugly duckling, have?  We are at the worst possible economic situation right now: Employers have all the power, and employees either have to put up with terrible conditions or be let go.  Nobody wants to be jobless in this market right now.  It’s not fun.

In related news, I got a job at Dominos two weeks ago.  I didn’t tell you because I…was busy doing other things.  But suffice to say I enjoy the job very much, and it’s way more profitable than it should be.  For now, I am being blessed at a quantum rate — decent enough job that I don’t hate, living in a great area with great people who haven’t decided to kick me out yet, getting the opportunity to write every day, my car still works, my clothes still fit, and soon I’ll be training for a marathon.

In also related news, Don Miller says I should be positive so I can manipulate somebody into loving me.  He’s seriously morphing into Joel Osteen.  And yes, my sarcastic tone in this paragraph does mean I’m a big fat jerk.  A big fat idealistic jerk.  Sorry.

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Back to jobs.  Obama was right when he said that Americans have a crisis of faith in their government right now.  I mean, I totally do.  It’s not going to get any better if they set out to prove (once again) that they have no idea how to create jobs in our current economy.  I’m convinced that small businesses, long-term thinking, encouraging innovation, and regulating the crap out of banks are the keys.  I don’t know what this makes me politically, so please stop trying to put me in your political box, man.

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I’m done.

Found This While Grimly Browsing Desriptions Of Christian Fiction Books

“Join bestselling author M. L. Tyndall for another seafaring historical full of romance, intrigue, action, and adventure. Grace Westcott has piously served God her whole life. Captain Rafe Dubois cannot pass up the opportunity to earn more gold toward the hospital he’s building for the poor by kidnapping Admiral Westcott’s youngest daughter. But when the missionary and the mercenary meet, it’s full-sail-ahead into tumultuous waters. Find out what happens when a bitter mercenary who’s sworn off God falls in love with a pious woman determined to change him.”

I’m just going to leave that where it is, without any editorial comments.  Sounds super.  (Ok, one.)

LOST in the Cat Box

This helpful picture totally explains last nights LOST

This helpful picture totally explains last night's LOST

So, it’s quantum physics-esque “alternate realities,” eh?  That’s what it’s come to?  In some ways, I’m glad LOST is ending this year; there’s no telling what we’d get if those poor characters hung around for a seventh season.  Full-blown multiverses?  Flashes forward and back at the same time?  The mind boggles.

In all seriousness, though, I kid LOST because I love it so much.  There’s no other show as ambitious and crazy, and both those adjectives were in full force in the season six premiere last night.  You had the alternate universes, the devil (?) continuing to present himself as a dead guy, a whole new group of “Others” that we hadn’t seen before, Hurley seeing dead people, Miles talking to different dead people, and people coming back from the dead and talking.  Dead is dead?  Hmm…

I like how the show keeps coming back to core phrases that force the viewer to take a stand one way or the other — “dead is dead,” “you can’t change the future,” “live together, die alone,” “nothing is irreversible,” “you have a choice,” etc.  It gives LOST a framework on which to hang all the craziness.  Yes, Juliet died, but is dead really dead?  And where is she in the alternate timeline?  Why did old dirty dead Jacob tell Hurley to take the great Sayid to the temple, and not Juliet?  Is Jacob God, and the smoke monster the devil?  Where is the smoke monster’s home, exactly?  And if Jacob was, you know, a dude who could die, then can the smoke monster be killed?

But those are questions that nobody can answer right now.  So it goes with LOST.  My main problem with last night’s extravaganza, other than letting Juliet live for exactly one scene before killing her again, is that they’re cramming two separate timelines into one already-crowded show.  We’ve got sixteen more episodes to go, and now we have to deal with non-island versions of Kate and Jack and Locke and Boone and even Arzt and Frogurt (but not Shannon, or any tail section people — yet).  Sure, it was great to be reminded of what an inappropriately smiling buffoon Sawyer was when the plane crashed, but what purpose does it serve?  I trust the writers have a plan here, but what if it’s a bad one?

But enough nitpicking about things I don’t yet understand.  Here were the things I liked, in the order they come to my mind:

  • Desmond showing up on the plane, then disappearing.  Gave me hope for the two timelines being merged back into one show, and that this might have been Jacob’s plan all along.  Also, I love Desmond.  “See you in another life, brotha” indeeed.
  • In general, I liked the more confident/less shaken versions of the former characters.  Even Charlie seemed to know what his purpose was, even if that purpose was dying.
  • Speaking of Charlie, I’ve got a (probably wrong) possible theory:  Just like Juliet seemed to grasp the fact that the bomb created an alternate timeline as she was dying, Charlie may have seen the first timeline when he “died” in the plane bathroom.  Perhaps that’s why he was staring holes through Jack as he left the plane — he knows Jack was responsible for the bomb, and therefore this whole new timeline.  When Chaz said, “I should have died” or whatever, he may have meant drowning in that underwater Dharma station.  Just throwin’ it out there.
  • Sayid, as always, is awesome.  I like his way of making friends — offering to help by kicking in doors.  It’ll be interesting to see what exactly has changed about Mr. Sayid since his literal temporary death.  Is he now Jacob?  Unlikely, though he may have seen Jacob or something when he died.  Did the smoke monster take him over a la Locke?  Even less likely, due to the absence of a body, and there being no evidence that Smokey can appear as different people in different locations.  Did he just flat-out rise from the dead?  Well, he was dead, and now he’s not.  Perhaps he also got a glimpse of the whole story while he was dying or deceased.  I’m just glad he’s still around.
  • The Jacob-Hurley conversation?  Awesome, and confirmed that Hurley does indeed see dead people.  Perhaps we should have seen this coming — Jacob told him as much in last season’s finale.  Nice callback, LOST.
  • Kind of sad to see old jerky Jin again, telling Sun to button up her shirt and trying to sneak thousands of dollars past customs.  Sun’s dad is not going to be pleased.  So, does alternate-Sun still know English?  I like how they left that question open for interpretation.  I bet she does.
  • Liked both Jacks more than I’ve ever liked Jack before — suffering confused Jack on the island, and old confident Jack the Fixer on the plane.  I never thought I’d say this, but I’m rooting for island Jack to get some redemption.  He hasn’t had a good day since season four.
  • Well, they certainly put a fine point on the pathetic nature of the original Locke, didn’t they?  I like how he remains the spiritual heart of the both timelines, even though he’s dead and being impersonated in one of them.
  • The Locke Becomes a Monster scene was probably the best one last night.  It confirmed what we thought we knew (namely, smoke monster=NotLocke=Jack’s dad=other people who died on the island), but also brought up a bunch of questions.  I’d like to see a Smoke Monster backstory built — was he confined to the cabin for a while?  Why did he chase the 815 survivors, starting in the pilot episode?  Why did he kill those he killed, like Mr. Eko?  Why was he referred to as “the island’s security system”?
  • Ben better come up with a plan, and quick.  I hope he does, because Ben outsmarting the fake Locke would be an incredible plot twist.
  • Kate’s cute, but I kinda wish she hadn’t commandeered a cab at gunpoint.  I’d like to think she learned her lesson, even if it was in another reality.  At least Claire was in the cab, though.  I liked how (just like Sun and English) they didn’t tell us whether or not she was pregnant.
  • Finally, it was a nice contrast we saw between Hippie Others “It’s OK to Kill People” Cindy and Stewardess Cindy.  Good to have her back, and to get a plausible explanation as to where she was the last three years.  I wonder if Stewardess Cindy is still dating Gary Troup.

So, there you go.  I still don’t know what to think of all this, but I kinda like it.

Time To Get Ready For LOST

To save this post from being nothing but unintelligible cheering noises (Yay!  Woohoo!  Whoopiee!), which are better posted on Twitter, here’s some real live functional embedded internet videos that helped me get ready for the Ultimate Season of LOST.

First of all, check out an ABC summary of Seasons 1-5, in 8:15 (ha!):

I like how since the introduction of the Tail Section people at the start of Season Two, ABC and LOST have tried their best to distance from them. They are definitely the black sheep of this family. Which is too bad, because Mr. Eko and Libby will always be more important than Jack’s tattoo.

Apparently, LOST does this every year, because this was a (less-hurried) recap of Seasons 1-3, again in 8:15:


So now you know everything.

Now, behold this AWESOME “24″-style real-time video of the original Oceanic Flight 815 plane crash:

ABC has treated this year’s promos for LOST as a way to use old footage of previous seasons, as if these scenes are just sitting there on the counter and will expire if they don’t show them again. They don’t give us any real peeks at the upcoming year, which is to be expected from a show that prides itself on surprising people. Still, it would be better if they used a background song like Radiohead’s “Everything in its Right Place” to compliment philosophical jargon, a la this great Spanish-speaking promo:

A Little Rant About The Job Situation

I’ve been looking for jobs for a long time now, a process I’m just terrible at.  It involves wasting copious amounts of time on dead ends and red herrings.  It puts me in uncomfortable situations.  It forces me to spend way too much time trying (unsuccessfully, mind you) to read the mind of HR people, who are in turn trying (unsuccessfully, mind you) to determine whether or not I’d be a great employee.  Let me tell you right now:  I would be a great employee, no matter what job it is.  Unless you’re talking about something really executive, really technical, or really unethical, that is.  Everything else is something I’d be amazing at.  So, in many respects, this whole job hunt thing is just a race to find out the lucky person who gets to hire me, and thus, improve their organization in countless quantifiable and unspoken ways.  I’m smart, I learn things, I buy into company rhetoric, I execute directives, people seem to like me, and I got a 28 on my ACT back when the maximum score was 32.  At the risk of sounding cocky (and really, why stop now?), I would be a great hire for any organization looking to not suck.

But you can’t just say that, because it’s unprofessional.  It’s like the business world has chosen to wring honesty out of itself for the sake of preserving the status quo, which is mostly based on nepotism, class warfare, and trying to artificially make the positive-thinking dogma of The Secret a reality.  In that climate, I’m toast.

It doesn’t help that I only recently discovered that I’m called to be a writer.  The main reason it doesn’t help?  I’m totally unestablished in the writing sector (and using words like “unestablished” can’t be helping, btw), a place where it usually takes a long time to establish one’s self.  I’ve been gaining meaningful experience in the past three years, but it’s been in computer support.  Yeah, so has everybody else, apparently.  I’m convinced it’s nearly impossible to get a job in the technical world without one of those things I mentioned before, such as nepotism.  And here’s the important thing — not that I would really even want to get a job as a computer technician, at least if it wasn’t in the right company.  I really am a writer now, sad to say.  I know people support themselves in other ways as they get established in their careers, a la all the waitresses in Hollywood who are looking for their big break.  It’s part of dues-paying.  Or as I like to call it, “carving a hole in the wall of life and sleeping there like a badger until something better comes along.”

So I apply for these jobs that I’m overqualified for, and keep getting told (either explicitly or by impersonal and unprofessional silence) that I’m not qualified for them.  This has made me cynical, and bitter, and a giant ball of seething unprofessionalism.  HR representatives are the gatekeepers for me, and I can’t think of a way to explain my way out of the courtyard and through the gate.  Obviously, they’re not going to change.  What I need is somebody to take a chance on me, like Abba says.  If HR representatives change their mind about the kind of false qualifications one needs to get a job in IT, I’ll be first in line.  Honey, I’m still free.  Take a chance on me.

Look, I get it.  I know it’s hard for hiring managers in this current climate where everyone is underemployed and disloyal and looking for a new job.  Part of the blame lies with me and my inability to convince anyone that my work the last three years has actually prepared me to do tech support.  It’s hard to tell people that, yes, I believe I could figure out Novell e-Directory, or administration of a Citrix server, or how to enter support calls into a database, etc…and have them believe me.  Truth is, I’ve been having to figure out stuff like this on the fly for the last three years.  For some reason, nobody can see my point.  Again, all I need is a chance.

I’m going to put at least one book out in 2010, which will hopefully be the start of a long and fruitful career composing things that people actually read.  I’m probably going to go back to pizza delivery, because how else is a man supposed to support his writing habit these days?  That is, if I can find somebody to hire me for that job.  Even though I’ve only been doing it for 12 years, I feel I might be qualified.

2269 Words On The Golden Globes

I decided to watch the Golden Globes tonight, mainly because I’ll watch anything that prominently features Ricky Gervais. It’s 6:43 right now, and the culturally worthless red-carpet pre-show is on. I really hope this thing starts at Seven Central. If it doesn’t, I’m going to really regret not buying some beer today. Not that I’m an alcoholic or anything, it’s just that a cold one might really take the edge off all this “who are you wearing” crapola.

I think Colin Farrell’s there with his daughter. That better be his daughter. His daughter needs to cover up.

Natalie Morales is slumming, and Quentin Tarantino is dressed like a D&D cleric. If you need some undead turned, call him. He’s actually answering Natalie’s questions thoughtfully, and tells us there will eventually be a Kill Bill 3. Um, I’d hate to break this to ya, Q, but Bill’s dead. They should just talk to him some more…

…because up next we have a latin-american actress, and the not-slumming red-carpet interviewer I don”t recognize asks her something like, “You used to make Latin-American audiences laugh, and now you’re making Regular-American audiences laugh,” which isn’t a question. Also, it would have been way better if she had actually used the term “Regular-American.”

Weird thing just happened. Natalie had to ask a True Blood actor a question twice for some reason, the second time with a countdown. Which would be fine, if she hadn’t just asked the question with us watching. It’s bad enough she has to be out here in the rain – now she has to ask her questions twice due to production errors. Poor, rich Natalie.

Don’t tell anyone, but I think Julie Moran’s had some work done. She’s in the first stages of velociraptorization. So sad. I have a feeling my anti-plastic-surgery side will become a recurring theme this evening, especially since it seems like even young actresses are unable to resist the siren-like call of fake faces. The only problem with that is once you do it, you can never go back. Also, people will know. If you’re vain enough to get it done, you’re probably vain enough to care that they know. It’s a trap, in other words. Oh! Ricky’s on!

He starts out by taking shots at Steve Carrell, who menaces him. It’s a good bit. The audience of actors is like 2 feet away from Ricky, and he’s making fun of all of them by calling them the most important people in the world. Leo Dicraprio does not look amused. Everybody knows actors can’t take jokes about their acting. Ha! “Let’s get on with it before NBC replaces me with Jay Leno.” Double ha!

Nicole Kidman presents the Best Supporting Actress in a Movie award first. She’s had some work done, but she doesn’t look like it tonight. I mean, she looks better than she’s looked in a long time. She tells us to give our money to Haiti, and then the awards start. Mo’Nique apparently took time off being the Dean of VH1’s Rock of Love Charm School to due a movie, and apparently she was good. Beats dealing with Buckwild every day. She gives a heartfelt and tearjerking speech after her win, one that I thankfully missed due to questions re: the desk this laptop is on from one of the kids in the house. Good timing, kids.

Matthew Fox and somebody else give an award out next. LOST starts February 2 – did you know that? It’s the last season, and they’re bringing everybody back who’s not black or Shannon. It’s true. They’re going to answer everything, I just know it. As if to confirm this, Evangeline Lilly’s L’oreal commercial comes on. Everything’s coming up LOST tonight. I think Ben or Locke are up for awards or something, too. I got a good feeling about these Globes.

Ben is up against Doogie Howser, William Hurt, Jeremy Piven, and John Lithgow. Big competition there. Lithgow wins, I think for Third Rock From the Sun. Is that show still on? At least it wasn’t Piven, that’s all I’m saying. Lithgow is married to Mary Yeager, a professor of History at UCLA. He dedicates the award, the one Ben from LOST should have won, to her. She smiles. Aww.

Everyone says Up! is great. I should probably see it now that it just won a Globe. I should also probably see Coraline and The Fantastic Mr. Fox and those other movies it just beat as well.

Do we really need another Wolfman movie, after Team Jacob just happened? Really? Even with Benicio Del Toro, I would like it to not exist. I lieu of beer, I’m going to have some ice cream. And where’s Ricky Gervais? Did they fire him after he made fun of NBC?

The great thing about the Golden Globes is that there’s actually two of every movie award – one for dramas and one for comedies and musicals. So they have ten (10) best picture nominees to get through. Apparently, somebody made a musical after seeing 8 ½, and called it Nine. In this musical, Penelope Cruz says “I’ll be waiting here with my legs open.” I know this because they just showed it at the Golden Globes, in the so-called “family hour.” Perhaps I don’t understand what “legs open” means. At any rate, Nine looks like a movie I’d rather not see.

Ricky’s back, and promoting his blog and the DVD for The Invention of Lying. “One thing that can’t be bought is a Golden Globe…officially.” He’s gone and cracked himself up. I love him.

Dexter gets another award, this time for best actor. Yay for serial killer dramas, right? I kinda can’t believe he beat the Man Men guy. I’m just glad that sunglass-removing dude from CSI Miami didn’t win. Any year he doesn’t win is a win for America. David Caruso, that’s the dude.

That one girl from ER won for Best Actress in a Drama, for some show that’s produced by David Zucker. Zucker’s got an interesting body of work – Airplane, Ghost, and First Knight, to name best, middle, and worst. I’m sure it’s a great show that I wouldn’t like, whatever it is.

Harrison Ford introduces Up in the Air, another movie I need to see. I don’t mind that Mr. Ford is looking old. It’s about time, right? He’s doing fine, though – he’s got a Calista Flockhart at home, and he seems happy and serene.

Ricky Gervais takes a shot a Paul McCartney, then points to his Haiti pin in order to mitigate any potential boos. He’s on fire right now.

Amy Adams is so cute. Even when she’s introducing the nominees for Best TV Movie or Mini-Series, she’s cute. This award is dumb. Gray Gardens won, and its brain trust thanks way too many people that nobody knows, especially considering nobody saw it. Gray Gardens is about some Kennedy relatives in some old folks home somewhere. The first five plot keywords for Grey Gardens on IMDB are: eccentric, filmmaking, kittens, piano, head scarf. If that’s not a recipe for riveting television, I don’t know what is.

Ricky says he hates the stereotype that all Irishmen are hellraisers, then introduces Colin Farrel. Ha. Mr. Farrel introduces the Best Actress in a Comedy, and Meryl Streep is rightly nominated for two different roles. I know I have said that the “Julia” parts of Julie and Julia are good, but I have a hard time believing that was the best performance in a comedy by an actress this year. Maybe it was a bad year for funny or musical women. At least the chick from Nine didn’t win.

O. My. Gosh. Somebody hired Rod Blagojovich’s (sp?) hair to be on Celebrity Apprentice. Sell a senate seat, become a reality-show star. In some ways, America is not ideal.

They should have warned me they were going to do more awards for TV Movies. Do they really deserve their own awards? Think about it – they’re like TV shows that aren’t good enough to warrant a continuing story or movies that aren’t good enough to make it to theaters. It’s like giving the same award to the team that wins the Super Bowl and the best team to not make the playoffs. Just sayin’. Drew Barrymore wins for Gray Gardens. Must be the head scarves. She’s very happy to have won, though, and seems like a nice person. Good job, Drew.

Writer’s awards. Jason Reitmann thanks George Clooney for being the greatest man ever. Ooh, the TV Comedy actor award! I hope Steve Carrell wins. Unfortunately, Alec Baldwin wins for 30 Rock. He’s good, but again, let’s not kid ourselves: Just like The Office is twice the show 30 Rock is, Steve Carrell is twice as funny as Alec Bladwin is. Heck, Tracy Morgan is twice as funny as Alec Baldwin is, but you ain’t never seeing a brother gettin’ recognized by the Hollywood foreign press. They just don’t understand.

Maggie Gyllenhall promotes Haiti, and NBC Announcer informs us that the big awards are next. It’s a little early, isn’t it? How long are the Golden Globes supposed to be? I thought we were just half-done! Sadly, it’s all a lie, and this won’t end for another 1.5 hours at least.

I’m bored, and there is no beer or ice cream here. The foreign language films are being recognized, and I’m thirsty dangit. This is a bad time for me. Sophia Loren is aging gracefully, however.

Oh, great – the IMDB is broke, so I can’t look up any of these movies. Oh, wait, it’s back, and I was right – the foreign language film that won was directed by the guy who directed Cache’ in 2005. You remember Cache’, right? The film about latent guilt about Albanians that featured plot points heavily borrowed from Lost Highway? Yeah, I have nothing to say about that.

Mad Men won again. What does LOST have to do to win one of these Globes? They killed Jacob! Come on!

Oh God please no Taylor Lautner. Please no. I’ll be good. Weirdnose weirdnose weirdnose weirdnose weirdnose WEIRDNOSE! Whew. He’s gone. Lots of mediocre movies up for best comedy this year. The Hangover better win. I don’t know why I’m so threatening. I have no power here.

Ricky’s back (finally), and drinking. He’s running out of steam. I’d rather he keep making jokes about how actors are so much more important than writers, so that more actors could pretend that he’s not funny.

We interrupt this awards ceremony to worship Martin Scorsese, director of such films as Taxi Driver and Goodfellas. Certainly a deserving object of our Hollywood praise, even if it does stop down the show for 15 minutes. This is going to be a 3-hour show, isn’t it? I’m missing Human Target. And I’d like to thank the Hollywood Foreign Press for reminding me what a terrible movie The Last Temptation of Christ is. Thanks for Willem Dafoe as Jesus, Martin. Anyway, he’s an amazing director, and he looks so cute in those glasses.

The Hurt Locker is featured. Yet another movie I should probably see. Ricky’s drinking Foster’s, which is Australian for beer. Then, the line of the night: “I like a drink as much as the next man, unless the next men is…Mel Gibson.” And out comes Mel, shaking his finger at Ricky. Noted Commie James Cameron wins the Best Director award for Avatar, even though it features a fake substance called “Unobtainium.” Yay, Communism! “Yet another film I need to see.” It seems pretty silly that I haven’t seen it, right? I mean, the rest of America has.

The Hollywood Foreign Press has messed up the comedy series award almost completely. They nominated The Office and a bunch of suckas, and then they picked Glee as the winner. Glee is a nice show, but please. It’s almost as much of a disgrace as giving it to Ally McBeal back in the day. This much we know: Foreigners don’t know what’s funny. First Jerry Lewis becomes a hero in France, and now Glee. Ok, so the British might know what’s funny, but nobody else. Ok, name your top five non-British European comedians – Go! I think I got stuck at (1) Senior Wences. I think I proved my point.

The Hangover people are introducing The Hangover! Weird. It better win. You hear me? It better!

It did! Wow! Mike Tyson is up there with his face tattoo! This is gratifying, really. It’s great to see an actual funny movie win best comedy. Screw musicals.

In other news, poor Mickey Rourke looks really confused. Is this thing almost over?

Two things: Aahhnold Schwarzenegger just ripped on NBC, and holy Mariah Carey’s dress. I don’t know what to say about it, but just holy.

Sandra Bullock and Robert Downey Jr. won awards, and gave speeches. Bert was pretty funny, actually. And I just realized that girl in the previews for Parenthood was Anne on Arrested Development. I’d been trying to place her for days. Truly, this was a successful night. Still wish I had a beer, though.

Jeff Bridges wins for Crazy Heart and hugs the lovely Kate Winslet a bit too long as he accepts his award. He’s looking like a cool old dude with a beard these days.

And Avatar won best picture. Whoops.

(sorry if not all titles are properly italicized. It’s a 3-hour show, and I’m not going back and checking more than once.)

Heroes

No, not these heroes

No, not these heroes

Reading the “Celebrity Encounters” thread on a prominent internet forum has me thinking today about my current heroes and what they would be like if I met them.  I don’t typically idolize people, even people I enjoy, because I have this strict thing where I actually believe that all people are equally valuable.  It’s not just something I say or whatever, I believe it and try to live it.  But some people have done things that have meant a lot to me, and it’s only natural that I would stalk them, er, try to learn all I can about them.  This is the information age, after all.  And after learning about them, it’s only natural that I imagine what they’re like in real life, and what it would be like to hang out with them.  This behavior isn’t unique to me — judging by the forum thread I was reading (and about half the comments I see on blogs), other people do the same thing.  A lot*.

When I listened to The Ticket (radio station) in Dallas, the hosts would talk about their lives all the time as a way to connect with the audience.  Because they did this, it created a situation where their audience knew a lot of details about their lives, dreams, and personalities (or at least the ones they were portraying on-air), but the hosts obviously didn’t know anything about the individual audience members they met at station promotions.  This created a lot of awkward feelings for the hosts when they met fans.  The encounters felt like one hand in a handshake with nothing — a completely one-sided relationship.   I completely understood why the on-air personalities might find these events to be a giant uncomfortable beating, and when I went, I didn’t try to talk to them or get crap signed by their tired shaking hands.

My problem with meeting celebrities isn’t just me looking out for their little feelings, though.  I’m also painfully shy.  I hate talking to people I don’t know, because I’m phobically messed-up (that being a code-phrase for “unconfident in my ability to know what to say to people, and therefore afraid that I’ll say the wrong thing, or worse, nothing.  Trying to help, my friend told me once, “The thing you need to realize is that nobody is thinking about you, so if the worst happens, they still won’t be thinking about you.”  I intellectually know this, and can tell myself this, but it doesn’t help.  This would be why I added the phobically to the messed-up.)  So I have the barrier of shyness, the barrier of phobia, and the barrier of the unbalanced celebrity-fan dynamic.  Even if I saw a hero of mine, it’s unlikely that I’d do anything about it.  Or is it?

(Considering that I had the opportunity to get something signed by Joel Hodgson after a Cinematic Titanic show in St. Louis, and didn’t, I’d say yes, it’s pretty darn unlikely.  But call me the cowardly lion because I dream that one day I’ll get a heart.  Or something like it.)

Here are the people that I’d have a hard time resisting expressing my undying affection and love toward, if I ever saw them:

Writers: Since the deaths of Douglas Adams and David Foster Wallace, the only leg of the three-legged stool left to meet is Stephen King.  Everybody says he’s really nice, but I would be tempted to explain to him why the movie version of “The Shining” is better than the book, and how I’ve always wanted to write a sequel where a grown-up Danny Torrance tries to stop a corporation from building a hotel on the Overlook site, but they do anyway (and get predictable results).  The ensuing movie would star Sela Ward or Angie Harmon in the “crazy parent” role.  Yeah, sometimes my ideas are bad.

In pop culture-ish stuff, I’d go out of my way to shake hands with Bill Simmons, Chuck Klosterman, or Malcolm Gladwell.  For some reason, I don’t think they (or at least Klosterman) would like me.  Oh, wait, my phobia.  That’s why.  I’d explain to Gladwell why his chapter in “Outliers” about parents raising their kids to be successful was misguided, and he would counter that by saying that Outliers is, at its heart, a how-to book about achieving radical success.  It would be great.  I’d talk to Simmons about our mutual love for Wisconsin, and beat Klosterman down by telling him he’s the one writer who’s been able to put my feelings into words most consistently (besides DFW, of course).  This is why I think he won’t like me, I suppose.

Television:  I’d have a hard time resisting picking the brain of anybody who’s ever been associated with LOST, especially the creators/rulers of the show (Damon Lindelof and Carlton Cuse) and the actors who play Locke, Ben, Sayid, or Hurley.  I wouldn’t necessarily want to express my undying love to Jack or Sawyer, though — not sure why.  I’d love to talk to Kate or Charlie or Claire or even Mr. Eko.  Especially Mr. Eko.  There’s like 30 people from this show I’d like to meet.

I’d love to give Ricky Gervais and Stephen Merchant my glowing praise in person, even though Ricky’s an athiest and I’d want to talk him out of that.  I wouldn’t necessarily add any American Office people to the list, save John Krasinski, whom I’d berate with David Foster Wallace talk.  I’m sure there are other shows, but none that make me want to walk up to a celebrity and meet them.  For example, nobody involved with Alias, Freaks and Geeks, The Simpsons, or Arrested Development would make my list.  Well, maybe Martin Starr or Michael Cera.  But nobody else.  Ok, maybe Gob.

Movies:  Aside from TV crossovers like Cera and Gervais, you have director David Lynch, who would be fascinating to me for all sorts of reasons.  He’s into transcendental meditation, first of all.  Also, he’s the greatest director on the planet.  I would be totally intimidated by Quentin Tarantino for no discernible reason, but I would love to talk to him.  Ditto for Wes Anderson.  I think Jason Schwartzman would be really cool, and I would have a hard time resisting the opportunity to talk to Naomi Watts about Mulholland Drive.  Other than that, I don’t really get into movie stars too much.  At least not enough to overcome my crippling social anxiety.  There’s probably others that I’m missing here, actually.  But this is a blog post, not an encyclopedia, so I’m not going to fret about it.

Politics:  Nobody.  I don’t want to encourage them.

MusicSufjan Stevens, definitely.  My impression of him is that he’d be really cool to hang out with, but that may only be because he writes lyrics the way I want to write stories.  I’d love to meet Jason Martin from Starflyer 59, but would probably end up disappointed.  He’s probably nice, but quiet.  I’d like to know what Superstar Kid are doing now, but only like 5 people would get that joke, so I’ll probably edit it out later.  Cory Chisel slept on my couch once, but I don’t especially want to talk to him, except possibly to return the white tie he left behind.   The Danielson Familie would be fun to meet, and David Bazan would be fun to hang out with, I think (though possibly a little dark).  I’d like to personally ask Azure Ray why they broke up.  I would not like to meet, see, or interact with Saviour Machine in any way, however.

Sports: I don’t know.  Ray Allen would be great to meet and talk to, as would the chilled-out-seeming Andrew Bogut.  I can’t think of any other sports heroes right now, sorry.  I’ve decided to stop watching for a while, remember?

Others/Internet:  I love the work of the folks at Rocketboom, and would totally view them as approachable.  Amber MacArthur and her brother Jeff seem nice and Canadian.  The radio hosts on The Ticket would be great to meet in a venue other than Ticketstock, I think — especially Bob Sturm, with whom I could talk all things Packer football.

I’m done with this subject.

*Consider this 2007 Chuck Klosterman interview quote from NBA Man-of-the-hour Gilbert Arenas, on why he says all the weird stuff he does:

“Everybody wants to be the all-American boy,” he says. “But at the end of the day, America is not perfect. Normal blue-collar people understand this. That’s why everyone loved Larry Bird. Larry Bird could hit a game-winning shot and then get drunk with the locals. People want personality.” He adds: “My favorite player growing up was Penny Hardaway. Even though he was shy and didn’t talk very much, he had that ‘Li’l Penny’ character — those commercials he did with Chris Rock. That was funny. It’s the same now with those LeBron James commercials. You want to find out who these people actually are. You don’t want to hear them say, ‘I work hard,’ and all that stuff. Everybody has that story. I’d rather know what someone eats for dinner or what they order at Starbucks.”


While We Wait For TV, We See Movies

This picture has nothing to do with this post.

This picture has nothing to do with this post.

Behold! A bulleted list of random-oid points regarding various movies I’ve seen and re-seen in the past couple months.

(Due to circumstances in my control but that I’ve having problems with, I am living with some saints (I hope they don’t feel bad when I call them that) who took up watching about one movie per night during the whole “December TV Rerun Month” through which we just suffered. I got to see a lot of last year’s big movies during these cold cold nights, over tea and popcorn and occasionally, squashsagna (needless to say, I’ve been looking for an excuse to use that word). So, because you demanded it, here’s another one of those amazing bulleted lists:)

  • I was reaffirmed in my previous ranking of the Lord of the Rings movies: Good – Return of the King, Better – Fellowship of the Ring, Best – The Two Towers. Return of the King is great, and has the payoff at the end, but it just lasts forevvvvver (I saw the four-hour extended version). It seemed like the Mount Doom scene would never come. I guess that’s what happens when you move the spider sequence to the third book. Fellowship is beautiful, and wonderful, but The Two Towers is perfect. From Gollum-Smeagol to Faramir to Helm’s Deep to the Uruk-Hai bomb to the throne room scene with Theodin and Gandalf to the end credits, it’s nothing but a barrell of middle-earth awesome.

  • Star Trek was pretty good. It loses something going from big screen to DVD, probably. It would have been fantastic to see in the theater. I usually hate the plots of Star Trek (especially First Borgtact or whatever), but this one was actually tolerable and coherent. I like how they approached the “reboot” – making it an actual one instead of just a reimaging. And “Run Fatboy Run” as Scotty? Inspired.

  • Speaking of Run Fatboy Run, it was funny and fluffy. I can’t believe Ross from “Friends” directed it. Thandie Newton is way out of his or even Hank Azaria’s league, though. That was distracting, like watching an episode of According to Jim, if Jim was British and not a fricking Bears fan. (ideally, a winking smiley would go here)

  • Prince Caspian was tolerable. Confession: I’ve never read any of the Narnia books save for the one with the Lion, the Witch, and the Wardrobe in it. After watching Lord of the Rings, I see where Clives Staples Lewis got his ideas from. I liked the literary nature of the story, but why were the Mexicans in Narnia again? I’d still like to think of the story ending forever at the end of the first movie. Sorry, but that’s just me. I’d also like it if The Golden Compass had never been written, so maybe I’m just not into the genre of “White British Fantasy That Pretends To Be For Children But Is Actually Really Heavy.”

  • Speaking of that, I saw the Sixth Harry Potter movie. Dumbledore dumbledied. Oh, sorry…spoiler alert. Ahem. I’m still waiting for them to make “Harry Potter and the Carousel of Crap” into a movie. Which number book is that? I forget. I liked the “big mythological universe” aspect of the story, even if I roll my eyes at names like “Luna Lovegood.”

  • Julie and Julia was a bad movie and a good movie, respectively. I like how the film makes it look like anyone could get a blog at Salon.com just by signing up. The Julia Child parts were compelling, though, largely because of the real Ms. Child and Meryl Streep’s incredible acting. Make no mistake, though – the “Julie” parts were a total mess. The husband gets mad because she keeps calling him a “saint” on her blog? Then they have one fight, and he leaves? There seemed to be something missing, like any character development whatsoever. Anyway, see it if you like Meryl Streep. And another thing, it’s not funny.

  • I saw Food, Inc, and now refer to McDonalds as “Opression Burger.” But seriously, it was perhaps the most depressing movie ever. Big Food has taken over, and there is no escape right now. The problem? Food is yummy. They’ve got us right where they want us, and are using food’s inherent yummyness to oppress people all over the globe and make consumers ill before their time. All so they can make money. And stopping it would mean eating far less food. I gotta stop thinking about this. BUT THAT’S EXACTLY WHAT BIG FOOD WANTS.

  • Burn After Reading was an odd little Coen Brothers movie. I mean, it’s really cynical, and funny at times, but I still didn’t like it. Maybe the fate of the Brad Pitt character (the best one in the story, imo) soured me on it. It felt like Wild At Heart to me…a overly dark misstep from a great filmmaker.

  • Saw The Darjeeling Limited again. There was more nude Portmann than I remember.  Anyway, it was quirky and funny, but too overly artistic and slow-moving for even me. It’s Wes Anderson’s worst movie, even with the Tarantino-esque “flashback that explains a bunch” towards the end. I still enjoyed it, because Wes Anderson could make a movie about anything and I’d enjoy it.

I’ve seen more stuff, but I don’t have any more bullet points in my gun. Maybe later. I’m off to Oppression Burger to make myself ill while exploiting several different working classes.

Givin Up Sports For A While

After last night’s draining display of NFL failure by the Green Bay Packers (nice comeback, though, btw), I’ve decided that sports are stupid. This decision has been months in the making: Baseball has been dead to me for a long time now, and not even the Brewers making the playoffs last year could suck me back in to a sport that long ago abandoned me as a consumer. The NBA is in its January doldrums, and even if it wasn’t, their games are all rigged anyway. The spirit of NBA competition has died, slain by a system that rewards stars with calls so much that you can’t tell if the stars are actually stars or just good players who have been given artificial illumination. You can’t tell, therefore, if the narrative of the NBA is a lie. Hockey? Soccer? The World Cup is exciting, but not because of the actual play on the field. I’ll watch the Olympics, but probably not as much as I did in the past. Silly me, not being able to get past the fact that figure skating isn’t an actual sport.

Also, Tiger Woods may come back to golf, but golf will never be the same. Is it wrong for me to stiff-arm an entire sport because of society’s attitude toward its biggest star? I’m talking about the hero-worship. Why do we venerate success at all costs? What does this say about us? Hmm? And when our heroes show themselves to be the lowest of the low (off the field/court/course), why is the choice always to a) make excuses for them, or b) crucify them? Isn’t there a different way to view these things, one that views Tiger properly as the scum of the earth, but one that also realizes he’s just the product of a success-driven sports-crazed culture? If Tiger didn’t have a buhjillion dollars, there would be no Elin, no famous half-swedish Tiger-spawns, no Jamie Grubbs (unless you watched Tool Academy, that is), no 11-plus other mistresses, no debate on what constitutes a mistress, and no national race to be the first to say that when one has a buhjillion dollars, being a horrible person is not just understandable, but expected.

This is why they should cap the maximum amount athletes make. Of course, that’s a horrible idea. Also, it’s unconstitutional. But guess what? I don’t have to support these athletes and their sports. I don’t have to fuel their addictions with me money. In fact, I can anti-support them. I can sit all alone on here and criticize the behavior of athletes every day, and nobody can stop me. But they will try. They will call me a “hater.” They will say I’m “just jealous” of their money. They will call me a bitter, sad, old, washed-up never-was. And they might be right. However, the rightness or wrongness of their hateful chirping doesn’t change the validity of my criticisms, which I guarantee would be spot-on. Maybe I’ll start a satirical blog that says that all athletes are awesome all the time, and we should worship them and stop noticing their bad behavior. Only nobody would know its satirical, because it would just be expressing the prevailing wisdom around here these days. So you see why I have to give up and just not watch.

I’ll start watching again when the NCAA tournament comes around. I’ve, after all, got a pool to run. And those poor college basketball players probably don’t get all that much money, not even from the undoubtedly corrupt programs like Jim Calipari’s Kentucky. I might also watch women’s golf, because those girls don’t make crap. But any of the other sports can just suck it.

(They Say) Two Thousand Zero Zero Party Over Oops Out Of Nine

(Please notice that for this post’s title I’m using the words Prince intended to sing, rather than the words he actually ended up singing, which is “body over us” instead of “party over oops.” I don’t know why he sings this, but I think it’s weird that “misheard lyrics” aren’t called what they are, which is “mis-sung lyrics.”)

What if we had the tradition to bury everyone who died in a given year on New Year’s Eve? I don’t know where we’d keep them in the meantime, but what if we found a way to preserve their corpses until the end of the year, when National Graveyard Day would happen and the streets would be filled with grief? Would this make us better or worse as a people? In thinking about it for five more minutes, I’ve determined that it’s probably a terrible idea, because I don’t think our culture could handle something that poignant without spontaneously combusting.

You may have noticed that positive week is over. It was fun while it lasted, eh? You should have seen my brain straining to come up with positive things for you. The mental effort I exerted was astounding. I could have thrown the mountains into the see with the amount of brain-joules I produced. ANYWAY…

In a related question, how exactly does one bury a year? And how does one salt the earth so that the year in question can never produce anything again? Will singing Auld Lang Syne do it, or does it take more? Does anyone even know the words to Auld Lang Syne? We had a booklet of famous songs in our basement when I was growing up, and the words and music to Auld Lang Syne were included. Aside from “acquaintences be forgot and never bro’t to mind,” it written completely in some old (er, “auld”) English dialect that makes no sense. And why do we want to forget our acquaintences anyway? In most cases, acquaintences are the least of our problems.

I don’t know where I’m going with these questions. I guess what I’m trying to ensure is that 2010 is better than 2009. Because I can’t take another 2009. Please Jesus, help me out with this.